Which ghostbusters has the marshmallow man

Hasbro does not control and is not responsible for the availability of, or content on, linked third party websites. Please be aware that your use of such third party's linked website is subject to their privacy policy and terms of use, which may differ from those of Hasbro. Skip to main content. Where To Buy. Who you gonna call to ask how the scene was made? That would be Afterlife visual-effects producer Kerry Joseph "They were the hardest characters for us to nail down," he says of the Mini-Pufts.

Reitman had a very specific vision for how the Mini-Pufts should behave. According to Joseph, "The marching orders we got from Jason were that these are mischievous toddlers. They're essentially children that are learning the world around them, having fun, and have no fear, and can't get hurt. It was originally drawn for--it showed a police car getting crushed, and we were ready to do that, and we had actually started on that, but we decided not to do it.

We were also joking about maybe the Marshmallow Man could pick up his foot, and you'd see the squashed police car embedded in the bottom of his foot. Columbia Pictures. John Bruno says: "And was doing this double bounce walk like a cartoon character and it looked really, really stupid and Ivan - we sent over this footage and he went 'Oh my God.

Is this the end of the movie? You haven't seen the finished suit. Richard Beggs says: "In my studio at the time, there were these chairs that were tautly covered with leather. I wet my thumbs and started scrinching on the leather with my thumbs. Rrr Rrr. And it made his creaky, squeaky but low pitched kind of sound. And then started messing with it with a pitch shifter, a recorder changing the speed of the tape until I got it into this range I thought would indicate the weight and mass of Mr.

Stay Puft. Egon Spengler says: "Full-stream with strogon pulse. We'll cross the beams. We set the guy on fire, he falls down. That's the universal signal of 'I'm in trouble' so we put him out. There goes 20, bucks. We'll try this again tomorrow night. He did it again. And he does it again. We hired Tony Cecere and 'Ok, step on this box - slap the top of the church.

Got it? Ivan Reitman says: "Our concern was that the Stay-Puft man would take the movie into an area of silliness that would just discount everything else. All through the writing process, and even into production, we tried to come up with an alternative - but we kept coming back to it. It just seemed right to go for the laugh at the end. And we had such a good rationale for it - it would be the first thing that would pop into Stantz' head.

So I finally said: 'To hell with it. Let's go. Fortunately, the audience went nuts over him - applauding and everything. It was a great moment of relief for all of us. Paragraph reads: "For scenes of the Stay-Puft man bursting into flame, a special fire-retardant suit was rigged with pyrotechnics and worn by a stuntman scaling the miniature apartment building.

Tony Cecere says: "And I think it was on the second take. The head got hot from the fire on the outside of it, and the head split open. And inside of the suit, where I was at, was on fire, too. Thaine Morris says: "When we finally got him to stop, the pink skull under the Stay Puft was all that was left on his head. The suit had burned clear through to the polyurethane foam. Tony Cecere says: "What happened on the inside, the glue that they used to put it together, all the glue on the inside of the head started burning.

Harold Ramis says: "I was concerned throughout this whole process that they physics of it make sense somehow - that intelligent people wouldn't look at what we were doing and think it was totally ridiculous. I did a lot of rationalizing when it came to the Stay-Puft marshmallow man. Morally, no one else cared that much. I was the only one who kept agonizing about what it all meant - what does the universe really look like, and is it possible this could actually happen?

As bizarre as it was, I wanted the film to say something about life - even if it was subliminal. I knew if I could just harmonize it in my own mind, I'd feel a lot better about it. Finally, I found some symbolism in the fact that the whole world of the paranormal seems to represent people's abstract fears - people need a place to put all that nameless dread and so they put it into ghosts and things unseen.

But the real source of that dread is in very real things like violence and death and economic uncertainty. So it seemed to me very appropriate that when our monster finally appeared, it turned out to be marshmallow - that literally and figuratively, our biggest fear of the unknown was as insubstantial as marshmallow.

Paragraph reads: "An unscripted addition to the sequence involved a shot of the marshmallow man's hat plummeting to the street after its wearer has been vaporized. Paragraph reads: "To achieve the shot, an aluminum-reinforced sailor's hat - eighteen feet in diameter - was attached to a giant crane and then lowered into the crowd.

Though successfully executed, editorial pacing resulted in the elaborate gag's being cut from the final release. Jason Reitman says: "I remember being on set the day when William Atherton got nailed with all marshmallow. They emptied a giant garbage bag filled with shaving cream. I kept this little white piece of foam, a piece of dead Marshmallow Man, for years after in my bedroom.

Peter Venkman says: "You remember that, I'm sure: ancient Sumerian deity, big lizard dogs, hundred foot marshmallow man? So, we crafted an introduction that put him in familiar territory at first, but led to a boss combat sequence that was narrower and more focused for the players than a space that wide open. Terminal Reality. Stay Puft Marshmallows are one of the many high quality products we make here at Comm Core.

Frankly, we're outraged. You may have fooled the city with your little puppet show but not us! This company has worked over 75 years to cultivate the family friendly image of Mr. He was modeled after somebody's uncle for crying out loud! And it wasn't all so you could go to war with him in downtown Manhattan! This is defamation of character on the grandest scale! You'll be hearing from us Ghostbusters! Have a sunny, funny Comm Core Corp day. Male Caller says: "Oh, man!

I just saw you guys on TV! Man, that marshmallow dude was all like "Blarg! You guys are awesome! So, like I don't suppose you guys could know if there is a possibility of you guys fighting a Graham Cracker monster in the near future? Danny Welker Danny Welker says: "I'm sorry about the confusion, but we take extra-normal threats seriously ever since a Marshmallow Bunny destroyed Fifth Avenue, well Winston Zeddemore says: "Conjured up a hundred-foot marshmallow man.

Kylie says: "What month was the thing with Gozer and Stay Puft? Winston Zeddemore says: "We've seen gods turn into marshmallows. For discussion on theories about the animated version of this character, go to the Talk page. After the Ghostbusters defeated Gozer and saved the world, they returned to the Firehouse covered in remnants of the Stay Puft Marshmallow Man. They quickly changed into their new uniforms. Egon Spengler stressed the old uniforms had to be destroyed because they absorbed a frightening amount of P.

Peter Venkman procrastinated and forgot about it. He left them in a box by the newly completed Containment Unit. Energy leaked out of the unit into the uniforms. Soon, the Spectral Ghostbusters manifested and they attempted, but failed, to take the Ghostbusters' place. Stay Puft was antagonistic and initially marched after Cyrus, Janine, and Slimer as they ran outside to Ecto Citizens started to notice Stay Puft and ran away.

Egon knew they couldn't capture him with the Trap but Winston Zeddemore suggested they use several. Egon took charge and had a cable tied to Ecto's bumper. Four to five Traps were laid out on the ground and Egon ordered Cyrus to drive Ecto forward and tighten the cable when he gave the signal.

When Stay Puft appeared, he started going in the opposite direction but Egon got Stay Puft's attention by calling him "Fatboy. Cyrus complied and the cable tripped Stay Puft. He fell right on the Traps. The Ghostbusters opened fire on Stay Puft then opened the Traps and recaptured him. Cyrus realized what Egon was up against and released him from a promise to help out at Spengler Laboratories in the Midwest. After the end of a supernatural drought and a stint as "Crimebusters", the Stay Puft Marshmallow Man followed the Ghostbusters through the city without them noticing at first.

He was returned to the Containment Unit again. The Ghostbusters were too busy working at the Deadcon 1 convention undercover to think clearly after they were called by Janine Melnitz. Ray Stantz told her to do whatever the Deadcon Ghost Delegates asked. Stay Puft Marshmallow Man was released by Janine after she received an invite for him to attend Deadcon 1 as a guest of honor.

As Stay Puft practiced his speech, Ray and Peter eavesdropped on Deadcon 1's banquet and learned they wanted to initiate doomsday. The Ghostbusters captured all attendees of Deadcon and prevented their apocalypse agenda.

They remembered Stay Puft while driving home and braked. Stay Puft proceeded with his speech. Some time later, the Ghostbusters reluctantly released him to fight a giant monster taking the form of Murray the Mantis that had been spawned from a possessed Thanksgiving Day Parade balloon. Egon considered a constant half life breakdown rate for all ectoplasmic entities and cross calculated with the known P.

He concluded Murray could have a life energy as high as Gozer's. Winston suggested their only choice was to release Stay Puft. Back at the Firehouse, Egon calculated Murray's energy level at 45 times 10 to the 14th power Mega Watts.

Winston once again stated they needed Stay Puft. Egon implored Slimer to help but he refused. Peter promised Slimer a mini fridge, ice cream delivered everyday, a crate of donuts, and a Diner's Club Card. Slimer agreed and kissed Peter then entered the Containment Unit.

Soon enough, the newly completed airlock of the Containment Unit exploded and P. The energy formed into the Stay Puft Marshmallow Man. Despite the reservations of the city authorities, Peter assured them that Stay Puft was "all better now" suggesting some rehabilitation had occurred.

Stay Puft met Murray in Central Park and a fight soon broke out. Egon ordered Slimer to have Stay Puft coax Murray into the alley between two buildings. Ecto-2 landed in the alley. The Ghostbusters opened fire on Murray while Stay Puft held him in the crossfire. Soon enough, Murray exploded. Stay Puft and Ecto-1 were a little charred from the ordeal. The Ghostbusters wanted to help a hospital in financial distress.

Everyone was reluctant to give their consent. The Ghostbusters accepted the offer. He eventually agreed to do it for the children. Slimer eventually found Stay Puft and told him about the situation. Stay Puft agreed to help and walked to the Containment Unit grid, unaware that a ghost called the Phantom had sneaked underneath his collar. Egon remotely opened a Trap outside the Firehouse and let out the three ghosts.

Egon then turned on a homing signal to that would lead Stay Puft to the site of the commercial. Peter radioed Tillis to apprise him of their progress. Phantom then scorched the roof of Ecto